eventually i did start trying to create new liquid again. my liquid started to look like this:
The parts where you were not repetitive and got more abstract blew my mind. I really like when people push the boundaries of flow, where it is not so obvious that one hand is following right behind another, but they are parts of a bigger, more complex structure. It is not often I see that. I think it would have been worth posting because you had plenty of those "blow-up" moments.
If you don't mind a quick critique, the only thing I would be careful of is the elbows, although I'm sure you've since thought about that already. Also, liquid doesn't always have to follow the succession of left elbow, left wrist, left hand, right hand, right wrist, right elbow. Some parts can be "stiff," depending on the context of the flow. I don't have a way to show you right now, but try thinking of it as flow being "external" to your arms. Your body is complementing the flow around your body and showing its shape and structure, rather than the flow forcing you to move in certain ways. In this sense, you can move how you want, as long this external structure is clearly communicated to the audience. You already do this sometimes, but I'm not sure you're aware of it, so I thought it was worth pointing out.
i dont want to come out of the womb just yet, i want to continue following other liquid dancers for atleast a little bit as i think trying to branch out on my own path too soon could hurt me given my limited knowledge.
I personally think you have more than a sufficient knowledge of flow to branch out on your own while you learn from others in the meantime. I don't think any good dancer really stops trying to learn from others as they find their own niche.
