ILLEKTROLAB -
Beat junkie, producer and dj who has been moving minds world wide for well over the past decade with his unique blend of sci-fi robot infected electro sounds. Being influenced by the early days of breakdancing, hip hop and broken beat music such as Kraftwerk, Chakka khan, Dynamix II, Styx, Egyptian Lover, Midnight Star, Lisa Lisa, Jedi Knights, Run DMC, Grandmaster flash, Afrikka Bambatta, Edie Grant, Kurtis Blow, Magic Mike, and many more talented artists. In the mid 80's he began experimenting with moms record stash and any chance he got while the Pz were away he would attempt to scratch and manipulate the vinyl to make interesting sounds as he heard in the music around him. The curiosity then turned to a passion. Wearing parachute pants, doing the robot, and having a big shiny ghetto blaster bumping Newcleus, it was obvious he was a product of the electro era and this sound would influence the rest of his life.

He purchased his first set of turntables in 1995 self teaching the tactics and skills he would later use to rock party people on the dance floor world wide. Weekends soon became forest and full moon parties with beats and freaks dancing under the stars in the very beautifull northern Arizona countryside, bumpkin style. In 1996 he moved to London to pursue his dreams of production and become submerged in the UKs underground electronic dance culture and music scene. While living in the UK he performed at his first massive event called World of Dance in Aug of 1996 under the name Neon Beat batteling the Psyconauts along side the bassest from Massive Attack and Big Darren, plus several smaller events and happenings in UK/EU area. Living across the street from the legendary Blue note club in Hoxton square near Old Street he was hitting some of the first of the METALHEADZ nights and many underground events collecting inspiration and ideas to create urban influenced, BASSheavy electro robotik sounds geared towards the dance floor. Through a good friend he later met a couple of guys who were working on a little bedroom label at the time. They asked for some scratching over some of the projects they were working on. This label later became one of the most prominent breakbeat labels in the world now known as Finger lickin records. They released Soul of Man, Finger lickins first release, then soon after Finger lickin vol 1 Dj tool record bothe featuring ILLEKTROLAB scratching.

Djing under the name djl3go for the first part of his career he quickly made a name for himself on the underground rave/club circuit with his fluid scratching and mixing abilities plus playing free parties around various parts of the world passing out loads of demos to the beat junkies. In the year 2000 he was forced to change his name due to the L3GO toy corporation threatening him with a law suit. The decision was then made to activate his alter ego ILLEKTROLAB and spread the robot music to all open ears and minds possible. Since then he has performed on bills with many of the most influential and well known artists in the hip hop, electronic dance and uderground music scene such as Grandmaster Flash, Jazzy Jeff, Afrikka Bambatta, Kurtis Blow, Goldy, Perry Farrell of Janes Addiction, Lady Kier of D lite, Dj Craze, Massive Attack, Dynamix, Rabbit in the Moon, Dj Icey, Jackal and Hyde, Rhazel etc....... (A more detailed list can be viewed below)

ILLEKTROLABS high energy performances, scratching, and unique style of production are known to move the crowd and tantilize the senses into a sonik assault of electromechanical madness. With the launch of his own label ADVANCED ROBOTIKS in 2008, a recent re lease on Satamile records (SAT39) and a very impressive aresenal of un released tracks in his vault the future is looking very bassheavy and energized for the illektrokadet and his robot uprising. Not to mention the sounds are spreading to every corner of the globe like an uncontrollable yet programmed sonik virus. During the explosive freestyled performances ILLEKTROLAB feeds off the music he plays and then projects that energy and adrenaline straight into the crowd creating a direct connection with the party people guiding them on their galactic space journey into sound. Ask anyone thats seen an ILLEKTROLAB performance and its the same story in any language. The energy is unbelieveable.The sounds are dark, heavy, and thought provoking with ground quaking deep bass along twisted driving acidic synths. Best heard on an ear bleeding wall of bass!!

The bottom line is that ILLEKTROLABS music is unparalleled, beat junkies and BASS freaks galaxy wide just keep asking for more. His style is unorthodox, yet crowds keep lining up to catch the vibe of his unique and futuristic robot sounding beeps and bleeps, all sequenced together with a certain mathmatical movement to make the bones vibrate and the body girate. Many try to imitate while ILLEKTROLAB originates. His sound is all his own, ROBOTIK, bassheavy, laced with attitude - and moving minds planetary.

TUNE into the ILLEKTROLAB frequencies !!